Wednesday, November 20, 2013
Adam ve Chava (Adam and Eve) - chatuna shemaymit
When I encounter my wife in the bedroom, (or have encountered any woman in any sexual encounter) I want to encounter her as a man, as a representative of manhood, as the essence of maleness, meeting her as a woman, as a representative of femininity, as the essence of femaleness. I am only interested in her and me - at that point in that context - as generic bodies, each representative of our type. Along with shedding our clothes, I need to shed everything else I "know" about her and I, all the other roles we play and the things we are - in the bedroom they are intrusions, dividers, blocking the call to return to some elemental form that all of life participates in. It is not her specificities I am seeking...these are with me outside the bedroom...and it is not my Imanuel-ness I am seeking to offer: this too is incessantly available duing my waking hours. What I crave is us as incarnations of the most basic and universal types, (either conferred upon us by our bodies or else manifested as our bodies) coming into uniopn and restoring balance - the celestial wedding.
Sunday, November 17, 2013
The Great Australian Stupor
I often feel when talking to your "average" Australian ( there probably isn't such a thing but I mean the kind of robotic persona you get on the other end when
you phone a call centre, or deal with an estate agent or sales person at KMart), or just having a chat over the fence with a passing
neighbour, that the conversation has to run down invisible rails that
the thought of deviating from is too terrifying for either of us to
contemplate, because of the dark depths that might lie in wait...
I recently found confirmation of this invisible script in a book of essays a therapist friend who lives in Gordon on the distant north shore lent me. Here is an extract from this essay which is titled “The Australian Resistance to Individuation: Patrick’s White Knotted Mandala ” by David Tacey, in a book called “Placing Psyche, Exploring Cultural Complexes in Australia”, which seems to be a Jungian influenced collection of essays.
Its a bit dense but persist because by the time you get to the middle bit a smile of recognition should start twitching the corner(s) of your mouth(s) upwards...
“Our fear of yet longing for obliteration is repetitive, autonomous and resists consciousness. Not many of us are aware of it, apart from artists, sensitive individuals and psychotherapists. In daily life we support an adherence to reason and logic which is fanatical in its dogmatism, yet in the unconscious we harbour desires to abandon reason, overturn our plans, destroy our logic and sink into annihilation.
______
PS. When a writer or artist or poet says they're "exploring" something isn’t this word often just code for shying away from the commitment of unequivocal assertions, like when an artist says they are “exploring” – just by way of example – ‘ the interstitial experience of people with bi-polar disorder’ ....surely the exploration happens during the process that leads to the art work, but cannot be the art work itself – or at least, not satisfyingly so for this witness.
I recently found confirmation of this invisible script in a book of essays a therapist friend who lives in Gordon on the distant north shore lent me. Here is an extract from this essay which is titled “The Australian Resistance to Individuation: Patrick’s White Knotted Mandala ” by David Tacey, in a book called “Placing Psyche, Exploring Cultural Complexes in Australia”, which seems to be a Jungian influenced collection of essays.
Its a bit dense but persist because by the time you get to the middle bit a smile of recognition should start twitching the corner(s) of your mouth(s) upwards...
“Our fear of yet longing for obliteration is repetitive, autonomous and resists consciousness. Not many of us are aware of it, apart from artists, sensitive individuals and psychotherapists. In daily life we support an adherence to reason and logic which is fanatical in its dogmatism, yet in the unconscious we harbour desires to abandon reason, overturn our plans, destroy our logic and sink into annihilation.
I have written about this before in my book
on Australian culture, Edge of the Sacred: Jung, Psyche, Earth. There, in a
section called “The Degraded Sacred and Alcoholism in white and black society”,
I explore the conundrum of Australian society: on the one hand a commitment to
democratic values and social order; on the other hand a barely disguised desire
to obliterate self in one or more of the favoured rituals of destruction: binge
drinking, excessive eating, abuse of drugs, [betting and gambolling, my addition] , consumerism, inertia, zoning out. ...
The fierce [ white Christian Anglo-Celtic Australian????] longing
for sacrifice originates from the realisation that the colonial consciousness
is not authentic. It did not emerge from this ground and needs to be sacrificed
so that something new can appear. ...These stories of national sacrifice are taught
as history in our schools, and our favourite novels, such as Patrick White's Voss,
are fictional accounts of early explorers who sought ecstatic self-mutilation
in the desert. Our favourite national films are about sacrifice: Picnic at
Hanging Rock, in which a group of school girls are drawn by magnetic force to a
volcanic mountain and sacrificed to it; Evil Angels, in which an innocent baby
is seized and eaten by a wild dog; Gallipoli, in which innocent teenagers are
sacrificed to the war machine and British military incompetence. The poet
Judith Wright was the first to sense a psychological meaning to these deaths
and sacrifices:
Are all these dead men in our literature,
then, a kind of ritual sacrifice? And just what is being sacrificed? Is it perhaps
the European consciousness-dominating, puritanical, analytical? ...
Reconciliation, then, is a matter of death-the death of the European mind, its
absorption into the soil it has struggled against.'
But we don't say we have a problem with
involuntary sacrifice; we just say
"this is our history". We don't view our plight psychologically, we
say we are recording events as they present themselves. To quote Singer again: the cultural complex "collects
experiences that confirms its historical point of view". We resist
consciousness when it comes to our favoured national past-times: compulsive
sacrifice and a longing for obliteration.
In 1971 Melbourne psychologist Ronald
Conway rose to prominence in Australia when he wrote The Great Australian
Stupor: An Interpretation of the Australian Way of Life. 10 In this book, part
humorous and part serious, Conway outlined
the ways in which Australians seek self-oblivion and mental destruction. It
achieved instant fame because so many Australians recognised themselves in
his descriptions of the local way of life, and in our predilection for inertia,
stasis, conventionality, resistance to culture, and reflection. For a
while, Conway was even given his own television show, in which he held a mirror
tip to the nation. But then we forgot about the novelty of self-reflection and
went back to sleep.
To live in Australia is to live in a
negative social climate. Americans who visit or live here find the place
baffling. If the credo of America is "Yes, we can", that of
Australia Is "No, we can't." This makes for an odd social
environment. Things are achieved in spite of the current toward inertia and
resistance. The humour, temperament, and spirit of Australia are ironic,
downbeat, self-deprecating, anti-heroic, often depressing. Yet individuation
forces itself upon us, even with all this negativity. Even Down Under, where
everything is upside down, where the seasons are reversed, and even the
Southern Cross hangs upside down in the night sky, we have our own version of
individuation, which is via negativa, a way of resisting what the
unconscious is forcing upon us."
______
PS. When a writer or artist or poet says they're "exploring" something isn’t this word often just code for shying away from the commitment of unequivocal assertions, like when an artist says they are “exploring” – just by way of example – ‘ the interstitial experience of people with bi-polar disorder’ ....surely the exploration happens during the process that leads to the art work, but cannot be the art work itself – or at least, not satisfyingly so for this witness.
Monday, November 11, 2013
Juvenalia
It was 1985 or so. My best highschool friend Aidrian was getting more and more involved with th struggle in South Africa. He was at Wits (the University of the Witwatersrand). A state of emergency was looming in the wings. I was in Israel, studying in a fundamentalist yeshiva but trying to find a way out. (out of yeshiva , not out of Israel,to which I very much wanted to belong... I wanted to go to the army in Israel so as to become both a man and an Israeli). I was going through old papers while trying to write an essay on differentiation of self and found this (and I've altered a line or two to improve the metricality):
"Althoough somehow we find that life pulls us apart
I once knew a little the beat of your heart
Iknow it beats strongly, and ingrained in you
is the need to go straight, the need to be true
you are planted amongst people who are strangers to me
but this communal soil will nurture a strong tree
as long as you know there is right on your side
the enemy can't harm you, they will be defied
you have turned from preoccupation with one's own little space
and feel at one with those fighting for their rightful place
with this I can't argue; one must leave self absorption behind
the question is really with which group will one bind?
as for me, I must look to before I was born
and join with the group I feel I came from
I can't find another way, and using what I have in me
this seems to be the most open path, so I make no apology
whatever you do in your world in your fight
I hope it will reach us and bring us some light
whatever we do in our world in our fight
I hope it will reach you and bring you some light"
and at the end of the letter:
"P.P.S I know that its highly unlikely that you'll ever bump into my folks, but just in case you do, please don't mention anything about my intentions to go to the army in Israel "
"Althoough somehow we find that life pulls us apart
I once knew a little the beat of your heart
Iknow it beats strongly, and ingrained in you
is the need to go straight, the need to be true
you are planted amongst people who are strangers to me
but this communal soil will nurture a strong tree
as long as you know there is right on your side
the enemy can't harm you, they will be defied
you have turned from preoccupation with one's own little space
and feel at one with those fighting for their rightful place
with this I can't argue; one must leave self absorption behind
the question is really with which group will one bind?
as for me, I must look to before I was born
and join with the group I feel I came from
I can't find another way, and using what I have in me
this seems to be the most open path, so I make no apology
whatever you do in your world in your fight
I hope it will reach us and bring us some light
whatever we do in our world in our fight
I hope it will reach you and bring you some light"
and at the end of the letter:
"P.P.S I know that its highly unlikely that you'll ever bump into my folks, but just in case you do, please don't mention anything about my intentions to go to the army in Israel "
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